talТеоретическая и прикладная юриспруденцияTheoretical and Applied Law3034-2813СЗИУ РАНХиГС10.22394/2686-7834-2023-2-117-125tal-279Research ArticleЭССЕESSAYSПраво и кино: введение в проблематикуLaw and Cinema: An IntroductionЕрохинаЮ. В.ErokhinaYu. V.

Ерохина Юлия Владимировна, доцент департамента теории права и сравнительного правоведения факультета права, кандидат юридических наук, доцент

Москва

Yulia V. Erokhina, associate professor at the School of Theory of Law and Comparative Law, Faculty of Law, PhD in Jurisprudence, associate professor

Moscow

yulia-erohina@yandex.ruГалкинаН. М.GalkinaN. M.

Галкина Наталия Михайловна, заместитель директора Института исследований национального и сравнительного права факультета права, LL.M

Москва

Nataliia Galkina, Deputy Director at the Institute of National and Comparative Legal Studies, Faculty of Law, LL.M

Moscow

ngalkina@hse.ruТохтуеваЕ. А.TokhtuevaE. A.

Тохтуева Елизавета Александровна, студентка магистратуры факультета права

Москва

Elizaveta A. Tokhtueva, MA student

Moscow

elizaveta.tokhtueva@gmail.comНациональный исследовательский университет «Высшая школа экономики»РоссияNational Research University Higher School of EconomicsRussian Federation20232106202302117125Copyright © Ерохина Ю.В., Галкина Н.М., Тохтуева Е.А., 20232023Ерохина Ю.В., Галкина Н.М., Тохтуева Е.А.Erokhina Y.V., Galkina N.M., Tokhtueva E.A.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://www.taljournal.ru/jour/article/view/279

В статье раскрываются основные направления научного движения «Право и кино», которое активно исследуется в зарубежной юридической литературе в последние десятилетия. Предпринимается попытка обзора открытых научных и эмпирических источников для выявления взаимосвязи права и кино, ключевых трудов и современных публикаций на эту тему, а также имеющейся критики обоснования исследований в области права и кино. Предлагается определение рамок научной области «Право и кино» в контексте российского исследовательского поля, предмет и методология исследования.

The article reveals the main trends of the “Law and Cinema” scholarly movement, which has been actively explored in the foreign legal literature in recent decades. An attempt is made to review open academic and empirical sources to identify the relationship between law and cinema, key works and contemporary publications on this topic, as well as the available criticism of research in the field of law and cinema justification. A definition of the scope of the “Law and Cinema” research field in the context of the Russian research field, the subject matter and research methodology are suggested.

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The authors declare that there are no conflicts of interest present.